{"id":13582,"date":"2026-08-24T21:16:48","date_gmt":"2026-08-24T13:16:48","guid":{"rendered":"https:\/\/showinlighting.cn\/?p=13582"},"modified":"2026-08-26T19:04:41","modified_gmt":"2026-08-26T11:04:41","slug":"from-the-neon-neon-vision-music-festival-at-canton-tower-how-modern-outdoor-concert-lighting-is-reshaping-urban-entertainment-experiences","status":"publish","type":"post","link":"https:\/\/showinlighting.cn\/ja\/from-the-neon-neon-vision-music-festival-at-canton-tower-how-modern-outdoor-concert-lighting-is-reshaping-urban-entertainment-experiences\/","title":{"rendered":"From the NEON Neon Vision Music Festival at Canton Tower: How Modern Outdoor Concert Lighting Is Reshaping Urban Entertainment Experiences"},"content":{"rendered":"

As night falls over the Pearl River, the dazzling lights of Canton Tower cut through the city’s skyline, signaling the start of the NEON Neon Vision Music Festival. Unlike traditional music festivals that completely seal off the stage from the urban environment, this large-scale outdoor production integrates the city skyline into the overall stage design. By merging professional stage lighting, laser effects, transparent LED ice screens, and Canton Tower’s iconic nightscape, the festival creates a cyber-neon visual spectacle where reality and virtuality intertwine.<\/p>\n\n\n\n

In recent years, demand for outdoor music festivals, urban cultural night tours, and landmark commercial performances has surged globally. More and more organizers are no longer satisfied with simple stage illumination\u2014they want lighting that shapes spatial atmosphere, conveys thematic narratives, and generates social-media shareable moments. A successful outdoor production relies on a full suite of professional stage lighting equipment. The NEON Neon Vision Music Festival at Canton Tower is a highly instructive real-world case study, showcasing how beam lights, wash moving heads, outdoor lasers, and stage special-effects machines work in harmony within an outdoor setting. It also offers valuable insights for lighting manufacturers, system integrators, and rental companies on product selection and project execution. This article analyzes the festival’s lighting performance in depth, examines the performance demands of outdoor large-scale productions on lighting products, interprets the practical value of different lighting fixture categories, and serves as a reference for lighting professionals in procurement, selection, and system design.<\/p>\n\n\n\n

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I. The Harsh Real-World Challenges Facing Lighting Equipment in Urban Outdoor Performances<\/p>\n\n\n\n

Indoor theater environments are relatively controllable\u2014temperature, ambient light, and humidity remain stable, allowing lighting fixtures to focus purely on artistic output. But for urban outdoor projects like the NEON Neon Vision Music Festival, equipment must contend with multiple complex external interferences\u2014and these are precisely the reasons many outdoor productions suffer lighting failures.<\/p>\n\n\n\n

First, massive ambient light interference. The festival runs from dusk well into the night, with ambient brightness spanning an enormous range before and after sunset. At dusk, city streetlights, building facade illuminations, and Canton Tower’s own lights are all fully on. If fixture output brightness is insufficient, beam lights and wash colors will be “washed out” by the ambient light\u2014the audience sees nothing impressive, and broadcast camera feeds look flat and dull. Once night fully sets in, ambient brightness plummets, requiring fixtures to precisely adjust output power to avoid audience glare and lens overexposure. This imposes hard performance thresholds on light-source power, dimming curves, and color-temperature adjustability. Many budget-priced fixtures are suitable only for pitch-black indoor environments\u2014deploy them outdoors at dusk and the results are underwhelming.<\/p>\n\n\n\n

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Second, complex and volatile weather conditions. Guangzhou has a subtropical climate, and the open-air venue faces high temperatures, high humidity, sudden showers, and nighttime dew. With equipment exposed outdoors for extended periods, inadequate ingress protection (IP) ratings allow moisture to enter fixture housings, causing circuit shorts, burned-out light sources, and fogged lenses\u2014leading to mid-show failures. Beyond rain and humidity, daytime sun exposure raises housing temperatures; poorly designed cooling systems can trigger overheating protection and automatic shutdown. Additionally, the riverside site experiences strong winds, demanding rugged structural housings on heavy moving heads to ensure stable operation during high-speed pan\/tilt movements, with no jitter or position drift. Many rental companies fall into the trap of evaluating only specification sheets while ignoring housing materials, thermal management, and IP ratings\u2014resulting in frequent on-site failures and soaring maintenance costs.<\/p>\n\n\n\n

Third, complex signal and power-supply environments. Large urban performance venues are surrounded by numerous buildings, making wireless DMX signals highly susceptible to urban RF interference, which can cause fixture unresponsiveness or erratic flickering. The entire lighting system draws a massive load, and supply voltage can fluctuate. Fixtures with substandard power modules will exhibit flickering or ignition failures. At the NEON Neon Vision Music Festival, fixture positions were widely dispersed\u2014across the main stage, side extensions, overhead truss points, and ground effect positions\u2014placing immense demands on signal reception stability and power adaptability.<\/p>\n\n\n\n

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Fourth, broadcast-compatibility requirements. Today, nearly all major commercial productions are simultaneously live-streamed. Lighting must not only please the live audience but also be camera-friendly. Many low-cost fixtures have non-flicker-free dimming curves and refresh rates\u2014they look fine to the naked eye but produce severe rolling black bars on broadcast feeds, directly degrading stream quality. This festival was streamed live to a wide online audience, so the entire lighting system was optimized for camera relay, making high-frequency dimming performance a critical factor.<\/p>\n\n\n\n

It is precisely these stringent real-world conditions that draw the line between consumer-grade lighting and professional stage lighting\u2014and explain why two fixtures both labeled as “beam moving heads” or “lasers” can have price gaps of several times over. The difference lies not in spec-sheet numbers alone, but in comprehensive hardware engineering designed for outdoor tough-duty applications.<\/p>\n\n\n\n

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II. Deconstructing Real-World Applications of Lighting Equipment at the NEON Neon Vision Music Festival<\/p>\n\n\n\n

The core stage-design philosophy was: do not block the cityscape\u2014let stage lighting and the city’s night glow coexist. Traditional festivals often use massive high-density LED video walls that completely seal off the backdrop, with all visual content coming from within the screen. This project, however, made extensive use of transparent ice screens, through whose gaps the audience could see the Zhujiang New Town skyline and Canton Tower behind. The beams and colors projected by stage lighting overlapped with the real-world urban neon, achieving a fusion of architectural light and stage visuals. Each type of fixture played its distinct role, building a three-tier visual system: the base wash layer, the spatial beam layer, and the climactic effect layer.<\/p>\n\n\n\n

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2.1 Wash Moving Heads: Setting the Production’s Color Foundation<\/p>\n\n\n\n

Wash moving heads serve as the production’s “color canvas.” At NEON, large numbers of outdoor-rated wash moving heads were rigged on both sides of the stage truss and overhead. Their primary mission is not to project sharp beams but to deliver broad color washes that saturate the entire stage space with thematic hues.<\/p>\n\n\n\n

During the SUNSET chapter, before full darkness, wash fixtures output low-saturation warm orange and pinkish-purple tones, softly bathing the ice screens and performance areas to echo the dusk over the Pearl River without overpowering the natural scenery. As the program moved into the CITY LIGHTS chapter\u2014with all urban building illumination fully lit\u2014the washes switched to high-saturation neon blue, magenta, and electric violet, matching the NEON theme and diffusing color across the ice screens and airborne water mist, harmonizing with the thousands of city lights in the distance. For the LUMINA finale, washes changed color rapidly in sync with the DJ’s beats, executing chase sequences and fades that drove crowd energy.<\/p>\n\n\n\n

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For outdoor projects, a high-quality wash moving head must excel in several hardware aspects. First is the motor and optical-focus mechanism\u2014commonly referred to as zoom functionality. The ability to freely adjust beam angle allows both wide-angle full-stage washes and tight localized accent lighting on performers or ice screens. Many budget wash fixtures are fixed-focus, with unchangeable beam angles, making them ill-suited to flexible outdoor scenarios. Second is the color-mixing system: RGBW four-in-one LED sources are the baseline, but superior CMY (cyan-magenta-yellow) mixing delivers smooth, even transitions without patchiness or color stepping\u2014especially critical for broadcast, where clean, soft gradients look far more professional.<\/p>\n\n\n\n

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Housing protection is equally crucial. For outdoor use, prioritize IP65 fully sealed housings with flame-retardant die-cast aluminum enclosures that resist heat and rain. Many rental clients report that buying cheap indoor washes for temporary outdoor use results in dew-related failures after just one show\u2014with repair costs far exceeding any initial price savings. The festival used the Marten-style lightweight full-die-cast-aluminum 19\u00d740W zoom wash fixtures\u2014a highly popular model for outdoor projects. Their lightweight construction simplifies truss rigging, zoom operates smoothly, color mixing is even, and they can handle both wide-area environmental fill and tight spot accents. They are ideal for music festivals, cultural tourism events, and large-scale productions, and are a staple in rental fleets worldwide.<\/p>\n\n\n\n

2.2 Outdoor Beam Lights: Piercing the Night Sky to Create Iconic Aerial Visual Signatures<\/p>\n\n\n\n

If wash fixtures handle color ambience, beam lights are the blades that create unforgettable visual moments. At NEON, dozens of high-power waterproof beam lights were positioned on the high truss above the stage. Once darkness fully fell, and with a touch of mist in the air, sharp, crystal-clear beams shot upward toward the night sky, facing Canton Tower’s own lights across the distance\u2014becoming the most frequently photographed and shared scene by audiences on social media.<\/p>\n\n\n\n

The core value of beam lights lies in creating a sense of spatial depth. Wash lighting fills planes; beam lights carve three-dimensional spaces. Synchronized to the music, beam lights swing, open\/close, and switch gobos, with columns of light crossing and rotating in the air to construct a volumetric light sculpture. In the age of social-media sharing, short audience-shot videos of airborne beams are the best free advertising for any festival\u2014many events go viral precisely because of beam-light footage spreading across short-video platforms.<\/p>\n\n\n\n

For outdoor beam lights, the light-source system is paramount. Quality OEM lamp-and-igniter combinations ensure stable ignition and instant strike\u2014no embarrassing failures when the beat drops. Reflector and lens optical quality directly determine beam sharpness. Cheap beam lights produce blurred, divergent edges that appear as hazy blobs at night, with no crisp beam definition. Outdoor waterproof variants must also have well-sealed lens housings to prevent nighttime condensation inside\u2014once lenses fog up, beams become useless. Popular models like the 380W waterproof beam light are extensively used in domestic music festivals and\u6587\u65c5 projects; their high power output maintains visible beams even at dusk, making them ideal for productions spanning broad daylight-to-night transitions.<\/p>\n\n\n\n

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Many system integrators and rental companies make the mistake of focusing only on wattage numbers while ignoring optical systems and protection ratings. A similarly “380W” label on a cheap product merely meets the power spec\u2014but optical components are substandard, outdoor beams lack sharpness, and waterproofing is shoddy, causing failures after just a few open-air shows. For rental firms, high failure rates equal high on-site risks, and after-sales repairs eat up all profits.<\/p>\n\n\n\n

2.3 Outdoor High-Power Lasers: Constructing Neon Tunnels to Embody the NEON Theme<\/p>\n\n\n\n

The festival’s theme\u2014NEON Neon Vision\u2014made laser equipment the key storytelling tool. Multiple high-power outdoor green and full-color landmark-grade lasers were deployed on-site. Lasers can produce slender, continuous neon-like ribbons, weaving light tunnels, dynamic graphics, and scanning patterns in the air\u2014a linear textural effect that standard beam lights cannot replicate.<\/p>\n\n\n\n

During CITY LIGHTS, lasers swept horizontally across the sky, threading neon light lines among the city’s skyscrapers, extending the stage’s visual reach all the way to Canton Tower, breaking the physical boundaries of the stage and merging performance lighting with the urban nightscape. In the climax, multiple laser groups worked in synchronized choreography, outputting dynamic running patterns that, combined with the music, delivered an intense cyber-neon atmosphere.<\/p>\n\n\n\n

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Outdoor laser products must balance performance, safety, and protection. First, optical modules determine line thinness and throw distance\u2014landmark-grade lasers can project over very long ranges, serving as city-scale nighttime signatures. Second, safety: certified products include safety interlock and thermal protection, with automatic shutdown on overheating. Outdoor use demands adequate IP protection, as laser modules are highly precision-sensitive\u2014moisture ingress can quickly damage the laser tube. Furthermore, during system design, strict laser-safety regulations must be observed, avoiding direct eye exposure or camera-lens strikes. As Culture and Travel night tours and music festivals continue to grow, demand for reliable outdoor laser fixtures is rising, and they have become traffic-driving assets for major outdoor events.<\/p>\n\n\n\n

2.4 Stage Special-Effects Equipment: Smoke Machines and Vertical Jet Machines\u2014Making Beams Truly “Visible”<\/p>\n\n\n\n

Many newcomers wonder: why do indoor lighting effects look stunning, but when moved outdoors with all lights on, the beams seem invisible? The critical factor is the medium. Light beams themselves are invisible; they only become visible when passing through smoke, mist, or particulate matter that scatters the light. The NEON Neon Vision Music Festival deployed a full set of professional stage effects equipment, including vertical CO\u2082 jet smoke machines and instant-burst spark fountain machines.<\/p>\n\n\n\n

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Vertical jet smoke machines differ from conventional haze machines. Conventional units fill the entire space with drifting smoke, making everything hazy. Vertical jet machines, by contrast, project columnar smoke upward, creating localized vertical smoke columns that precisely provide scatter media for beams without blanketing the entire venue in thick haze\u2014balancing beam visibility with audience comfort. At dusk, when air is clear, only a small amount of smoke is needed to reveal beams; later at night, output is increased to maximize aerial light effects alongside beams and lasers. Additionally, some water-mist systems can also cool down the live audience in hot outdoor conditions.<\/p>\n\n\n\n

Price gaps in effects equipment are huge, and the root cause lies in internal core components. Taking smoke machines as an example: the key parts are the oil pump and heating block. High-end models use wear-resistant imported oil pumps that deliver stable oil feed without surging; their heating blocks maintain consistent temperature, preventing under-heating (no smoke) or overheating (burnt oil producing acrid odors). Low-cost smoke machines use cheap pumps prone to leakage and intermittent output, and poorly made heating blocks that burn oil, generating unpleasant smells or even failing on-site. For electronic spark machines and burst star-fountain units, the key is the internal pressure-charging structure\u2014quality self-pressurizing designs require no external air supply, deliver instantaneous powerful spark bursts, and ignite crowd energy during climactic moments. Many music festivals and major galas use such effects for their finales to elevate live impact.<\/p>\n\n\n\n

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2.5 Lighting Consoles: The Brain of the Entire Show, Determining the Artistic Ceiling<\/p>\n\n\n\n

Even with the best fixtures, without a powerful console system, their capabilities cannot be fully realized. At the festival, dozens of wash moving heads, beam lights, lasers, and effects units were all controlled by a professional hardware console. Industry-standard hardware consoles\u2014such as KingKong, MA, and Tiger physical desks\u2014are mandatory for large-scale productions, with mobile apps serving only as auxiliary remote controls, never as the primary control.<\/p>\n\n\n\n

In large outdoor music festivals with scattered fixture positions and huge channel counts, the console must handle extensive channel processing, support multiple pages, groups, and scene storage, and enable timecode synchronization between lighting and music. DJ sets at music festivals change in real time\u2014often improvised live\u2014so the lighting operator must be able to respond instantly, rapidly recalling pre-programmed effect groups to match the music’s emotional flow. Auto-tracking functionality is extremely valuable in such productions: once enabled, washes and beams automatically follow moving performers, freeing the operator to manage complex, variable show cues.<\/p>\n\n\n\n

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Many clients ask whether software or mobile apps can replace hardware consoles. For small bars, small events, yes\u2014they can handle it. But for a music festival of this scale, absolutely not. Mobile apps rely on wireless networks, and outdoor urban environments are plagued with interference\u2014once signal lags or drops, the entire lighting system goes dark. Hardware consoles transmit DMX via wired connections, offering rock-solid reliability\u2014the safety baseline for any major project.<\/p>\n\n\n\n

III. Industry Trends from This Project: What’s Happening in the Global Outdoor Lighting Market<\/p>\n\n\n\n

Looking globally\u2014whether domestic music festivals, urban cultural night tours, or overseas commercial shows and open-air carnivals\u2014the number of outdoor lighting projects continues to rise. In the past, lighting primarily served indoor theaters. Now, city landmarks, riverside plazas, and public parks are increasingly integrating urban landscapes into stage design. This shift is driving clear product-direction changes:<\/p>\n\n\n\n

First, outdoor-rated equipment is becoming a hard requirement. Previously, many clients purchased indoor fixtures and improvised them outdoors. Today, more rental and integration firms are going straight to IP65-rated outdoor versions. These fixtures allow companies to take on not just indoor theater gigs but also music festivals,\u6587\u65c5 projects, and outdoor commercial events\u2014maximizing asset utilization. Although outdoor-rated units cost more upfront, reduced moisture-related repair losses make total cost of ownership lower in the long run.<\/p>\n\n\n\n

Second, lightweight design is in rising demand. For touring productions, fixtures must be repeatedly disassembled, transported, and rigged. Die-cast aluminum lightweight housings\u2014compared to bulky, heavy older models\u2014reduce truss loading and manual handling effort. For rental firms, lighter models cut labor costs and speed up setup, which explains the popularity of products like the Marten-style 1915 lightweight wash fixture.<\/p>\n\n\n\n

Third, multi-functional hybrid fixtures are gaining favor. Three-in-one beam-wash-gobo fixtures combine beam, wash, and pattern effects in a single unit, allowing flexible switching during a show. This reduces the number of fixture types needed, lowers shipping volume, and appeals to both rental houses and overseas B2B buyers, with orders for multi-functional fixtures continuing to grow.<\/p>\n\n\n\n

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Fourth, demand for complete solution packages is rising in overseas B2B markets. International rental companies and system integrators are no longer buying just a few individual fixtures\u2014they want suppliers who can offer a full product matrix including beam lights, washes, lasers, effects equipment, and accessories for one-stop procurement. That’s why in export business, it’s essential to provide complete product catalogs, real project case studies, and solution recommendations backed by actual installations.<\/p>\n\n\n\n

IV. A Buyer’s Guide for Lighting Professionals: How to Avoid Pitfalls in Procurement and Selection<\/p>\n\n\n\n

Drawing from the real-world experience of the NEON Neon Vision Music Festival at Canton Tower, here are practical selection recommendations for rental firms, system integrators, and overseas procurement buyers:<\/p>\n\n\n\n

Match equipment to application scenarios\u2014don’t chase cheap specs blindly. If your projects are outdoor music festivals or\u6587\u65c5 night tours, prioritize IP65-rated fixtures. Do not buy indoor fixtures for makeshift outdoor use. Spec sheets may look good, but if protection and cooling are skimped on, one outdoor show can damage a whole batch\u2014and repair costs will dwarf the initial price difference. Don’t just look at wattage; internal components\u2014optical assemblies, motors, pumps, igniters\u2014are what determine real-world performance and service life. Two fixtures both labeled 380W beam lights can produce vastly different beam effects based on internal lamp and reflector quality.<\/p>\n\n\n\n

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Prioritize broadcast-camera compatibility. Nearly all commercial productions now include live streaming. When purchasing, verify that fixtures support high-frequency dimming with smooth curves to avoid flicker\/banding on camera\u2014a common shortcoming of many low-cost units.<\/p>\n\n\n\n

For consoles, choose mature hardware desks for primary control. For large-scale projects, hardware consoles are the backbone; mobile apps are only for temporary auxiliary use. Never stake an entire show’s reliability on a wireless-dependent phone app.<\/p>\n\n\n\n

Pay close attention to parts availability and after-sales support. Stage lighting is high-wear equipment\u2014lamps, lenses, pumps are consumables. Confirm spare-parts supply when purchasing. For overseas clients, ensure parts can be shipped alongside initial orders. A great fixture becomes worthless if replacement components are unobtainable later.<\/p>\n\n\n\n

Learn from real-world project case studies. Public large-scale events like the NEON Neon Vision Music Festival offer a live demonstration of actual lighting performance. Study the equipment used, compare with your own project needs, and choose field-proven mature models rather than untested new releases.<\/p>\n\n\n\n

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\u7d50\u8ad6<\/p>\n\n\n\n

The greatest takeaway from the NEON Neon Vision Music Festival at Canton Tower is this: outstanding stage lighting does more than illuminate a stage\u2014it creates a dialogue of light and shadow between people and their urban environment. When wash moving heads render neon colors, beam lights pierce the city’s night, lasers trace flowing light trails through the sky, and effects smoke makes light “visible,” lighting ceases to be a mere tool and becomes an integral part of the performance narrative.<\/p>\n\n\n\n

As global culture and travel tourism, music festivals, and outdoor commercial productions continue to expand, the professional stage lighting market still holds immense potential. For lighting manufacturers, rental companies, and export professionals, understanding the equipment logic behind real large-scale projects, comprehending the tough performance demands of outdoor operation, and perfecting optical performance, protection, and hardware reliability\u2014these are the keys to manufacturing and selecting lighting products that truly stand the test of real-world events, and to enabling more spectacular productions around the world.<\/p>\n\n\n\n

OutdoorLighting #StageLighting #MusicFestival #LiveEventProduction #UrbanEntertainment #NightTourEconomy #LightingDesign #EventTechnology #PerformanceLighting #ConcertProduction #TourismLighting #CulturalTourism #LightingRental #LightingIntegration #BroadcastLighting #WashMovingHead #BeamLight #MovingHeadLight #OutdoorLaser #StageLaser #WaterproofLight #IP65Lighting #LEDStageLight #RGBWLight #CMYMixing #ZoomWash #380WBeamLight #TrussLighting #SmokeMachine #HazeMachine #VerticalJetMachine #SparkMachine #SpecialEffects #LightingConsole #DMX512 #KingKongConsole #MAConsoles #AutoTracking #TransparentIceScreen #CyberNeon #CantonTower #GoboLight #PatternLight #MultiFunctionalLight #LightweightLighting #DieCastAluminum #RentalFleet #EventProduction #StageDesign #VisualSpectacle #LiveStreamLighting #FlickerFree #DimmingCurve #ColorTemperature #VoltageStability #SignalStability #RFInterference #HeatDissipation #OutdoorDurable #HeavyDutyLighting<\/h1>","protected":false},"excerpt":{"rendered":"

As night falls over the Pearl River, the dazzling lights of Canton Tower cut through the city’s skyline, signaling the start of the NEON Neon Vision Music Festival. Unlike traditional music festivals that completely seal off the stage from the urban environment, this large-scale outdoor production integrates the city skyline into the overall stage design. By merging professional stage lighting, laser effects, transparent LED ice screens, and Canton Tower’s iconic nightscape, the festival creates a cyber-neon visual spectacle where reality and virtuality intertwine. In recent years, demand for outdoor music festivals, urban cultural night tours, and landmark commercial performances has surged globally. More and more organizers are no longer satisfied […]<\/p>\n","protected":false},"author":5,"featured_media":13595,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-13582","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/showinlighting.cn\/ja\/wp-json\/wp\/v2\/posts\/13582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/showinlighting.cn\/ja\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/showinlighting.cn\/ja\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/showinlighting.cn\/ja\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/showinlighting.cn\/ja\/wp-json\/wp\/v2\/comments?post=13582"}],"version-history":[{"count":2,"href":"https:\/\/showinlighting.cn\/ja\/wp-json\/wp\/v2\/posts\/13582\/revisions"}],"predecessor-version":[{"id":13945,"href":"https:\/\/showinlighting.cn\/ja\/wp-json\/wp\/v2\/posts\/13582\/revisions\/13945"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/showinlighting.cn\/ja\/wp-json\/wp\/v2\/media\/13595"}],"wp:attachment":[{"href":"https:\/\/showinlighting.cn\/ja\/wp-json\/wp\/v2\/media?parent=13582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/showinlighting.cn\/ja\/wp-json\/wp\/v2\/categories?post=13582"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/showinlighting.cn\/ja\/wp-json\/wp\/v2\/tags?post=13582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}